ALBUM NEWS: Blur are set to release their
complete back catalogue with
the Blur albums being remastered by
Stephen Street. Street is the producer which has worked with Blur on 5 albums including
their biggest hit Parklife in 1995.
This means only one thing: Blur's full works are going to be available for fans
soon, in a complete box set of works with possibly new rare songs, b-sides and extra goodies for completists.
Could it be like the Special Collector's Edition with extra tracks / unreleased goods , or just another remaster with a new track like Best Of's "Music is my Radar" ?
"I love Blur, I think they're some of the most
talented people I've ever worked with" said Stephen Street in a recent
interview with Louder than War. "I'm currently remastering their entire back catalogue ... It's
just great to listen to the tapes and think that now they sound so much better.
They sound fuller, and wider, and I'm really pleased to be focusing on it. I'm
really chuffed as a producer how it's sounding."
There is no word on when exactly these albums would be
out - perhaps some time in the end of 2012 would be appropriate, after
Blur has done their huge Olympics gig in Hyde Park in August.
Next year marks the 20th anniversary of Modern Life is
Rubbish.
Perhaps Street will put something new into the remasters for the 20th anniversary
"I would love to be asked to produce [Blur] again," Street exclaimed,
"but ... they haven't asked me to do the Under the Westway track. William
Orbit is involved apparently, but I don't know."
Overall - this release of remastered albums could mean two things - either Blur aren't going to be producing anything more and are using this release as a final goodbye present for fans, or that they are using the recent new developments to generate hype for a possible new album. We can only hope it's the latter!
Read all about Blur being BASHED AT THE BRITS HERE,
News update: William Orbit, who has been rumoured to be producing a new Blur album, has been revealed to be working on Blur's new song "Under The Westway".
The piano ballad debuted on 19th February, at the War Childs charity gig, where Damon Albarn and Graham Coxon appeared on stage as a two-piece, with a piano and acoustic guitar, and performed a gentle melody.
Blur perform Under the Westway (recorded by us BlurBalls!)
Under the Westway is rumoured to be released for Record Store Day in April 2012. For those of you who want to know what Record Store Day is, this is the one day that all of the independently owned record stores in the UK and USA come together with artists to celebrate music. Special vinyls, tracks and CDs are made for this annual event. There is usually performances, in-store meet and greets and signings in store, with DJs and artists alike as well as other fun activities.
Blur has a history with releasing a new track for Record Store Day - they released "Fools Day", a new tune, for this event in 2010.
Blur's record store track "Fool's Day" - lyrics video also uploaded by Blurballs
It's unclear whether Orbit is responsible for more Blur tracks or just for Under the Westway. Damon did say he has got a lot of Blur tracks in his pocket and the rest of the band is being very secretive. Or perhaps this track could even be for the new album.
In a recent NME interview, when asked "Will Blur be making a new album?" the response was mixed:
- Damon said "Don't count on it" , aka NO
- Graham said "We've got commitment issues. But it'll probably happen." aka YES
- Alex said "There are definitely no plans to make one"aka NO
- Dave: "There's a lot of appetite out there for new Blur music. It's no secret that we're working on something" aka YES
But one thing's for sure, William Orbit is twiddling with his producer knobs and currently in progress with making "Under The Westway" fit for release - soon. Where? No one knows. Ask Damon.
Read all about Blur being BASHED AT THE BRITS HERE,
Damon Albarn snuggled up to Noel Gallagher in the Brit Awards 2012 - on Feb 21st, Tuesday evening.
The two members of Britpop supergroups Blur and Oasis hugged it out on the red carpet, made their amends, reconciled their differences and even suggested getting "drinks" together in the after-party.
In an NME February interview, Damon said "Yeah, we met up and I look forward to having a beer with him again. He has great charisma. And he didn't slag Liam off once!". He said he "didn't mind" Noel's solo album because "a big chunk of our history is the same".
Noel Gallagher called Damon as "mad as a box of frogs" a few weeks ago (Click to read full article)and said he would like to record with him rather than Coldplay's Chris Martin.
There has been some eventful happenings of that night, and these two weeks have been hectic and exciting. Blur has been compared to "drunkards" on the stage, but they thrilled many long time Blur fans who were happy to see them play.
You win some, you lose some- but Blur's record sales went up significantly afterwards. On iTunes's top 10 rock hits, there were 4 Blur songs on, including Country House!
Blur won 4 Brit Awards in 1995 for their album Parklife, which was hugely successful. Blur then battled it out with Oasis for UK No. 1 single the following year, with a release of their singles "Country House" and "Roll with It" on the same day. Blur won the battle, but Oasis sold more albums in the long run.
Damon Albarn also revealed that Blur were offered the Outstanding Contribution to Music award a few years ago, but "turned it down". The award went to Robbie Williams that year.
Funnily enough, 17 years later in 2012, Blur looked somewhat the same in the Brits stage!
"It was a disaster, a beautiful disaster"- or was it ?
Stumbling Damon Albarn, tangled up strings, a broken guitar strap, cutting singer Adele's speech off, messy singing, a too-fast Tender, strange sounding "Oh Oh Oh Oh"s from Girls and Boys, the "Woo Hoos" becoming a bit too primal, Phil Daniels being on stage in the, gasp, Brits ...
What have all the items on this list of descriptions, used by people, bloggers, journalists and Adele-fans, have in common ? Go on, give it your best guess.
If you've noticed the fingers-pointing and negative vibes in the exhaustive list, then well done. The feedback Blur got back from the world was rather negative. It's been three days since the Brit Awards 2012 and Blur has been hit by negative reviews and media features criticizing their performance in the award show.
Blur were already marginalized by the fact that their two best performances of that night, Tender (from 13) complete with a 32 piece gospel choir and Alex James on Cello, and This is a Low (with Damon's heartfelt, pitch perfect solo) were not shown on ITV1. They was pushed to the lesser channel ITV2.
Viewers all around the world watched Blur's arguably less impressive performances of that night (although there was raw energy, passion and they did get most lyrics correct, and Dave was smashing on the drums). All because of a broadcasting decision completely out of the band's control.
A band shot at the Brits 2012
And Adele's speech cut off ? Again, it's a broadcasting decision, not the host James Corden's fault, nor Blurs. The media clung to Adele's middle finger like there was no other exciting event of the night. Poor bloke James, he was bashed too for being "boring" and "unfunny". So is the new trend "bash-the-brits" now ?
Some comments were simply accusatory, such as "It was Blur's fault Adele was kicked off the stage", or critical- "Blur has gone past their sell-out date". Others have said that they'd "rather watch One Direction" or Rihanna hammer out her tunes.
Speaking of boy bands - Blur were quite the lads back in 1995's Brits where they took home 4 awards and had a feud with Oasis
Of course, the article was strewn with the worst pictures taken of that night, at unflattering angles, of Damon's eyes half closed and mouth in the middle of singing "Parklife". Wait a minute. What about all the epic photos and band pictures, or the glorious solos from Tender and This is a Low ?
Thanks DailyMail for posting deliberately picking the most gorgeous Blur photos
The article from Daily Mail suggests that Damon should "mime", "for the sake of the world's eardrums". because apparently, Blur sounded horrible on television. The writer called Damon a "drunk" who was "yelling" instead of singing.
Damon a drunk ? He was sober alright - otherwise how'd he talk for so bloody long ?
How's that as a blow to the head for one of Britain's most influential and definitive bands of the 90s (and 2000s). How's that for the winners of Outstanding Contribution to Music award- with previous winners including David Bowie and The Kinks. How's that for a band with 20+ years of making British music and hits like "Song 2" and "Girls and Boys"? Ouch.
The writer goes on for more Blur-bashing, and all the ya-da-das. He then admits that Blur's albums however, sounds "so good" and that the final performance of Tender was rather good". A rant on live music and more Damon-bashing follows. So in short, Blur sucked at the Brits and looked drunk and couldn't sing a tune. Yes, that sums the night up, doesn't it ?
Blur recently in NME magazine - not every band gets 10 pages of space you know
So here's our point- but what's music, live music, without the mess, the errors and the glamourous rock n' roll mentality? We all know Adele sings perfectly, with no errors - she will not forget lyrics or hit the wrong note! And One Direction's poppy boy-band tracks are too well-rehearsed, dance choreography too in sync- are we watching automated people sing to viewers on television ?
We want to quote the MP Kerry Mccarthy, who published a feature post in pop music culture website Louder than War which counter-balances the Daily Mail's critique on Blur. It's rare we read something so accurate and describes exactly what we hear a lot of long time, devoted Blur fans say.
Adele has a flawless, powerful voice. So does Florence. So does little Ed Sheeran, in a wimpy sort of way. And Bruno Mars (also little) performed very nicely, and Olly Murs and Rihanna did the singing & dancing at the same time thing, and they did it with panache. Polished, professional, perfect, every single one of them. Not a note out of tune, not a dance step out of time. Everything went to plan. They’d all practised very hard.
Adele shows the finger at the Brits - the media has blown it out of proportions, she did not overreact in reality
Oh, and there was Coldplay. They had fireworks, and laser beams bouncing off a giant mirror ball. They “put on a good show”. It wasn’t much of a song, but at least it wasn’t one of the really annoying ones. There was Noel Gallagher too, who played it safe. I saw him do a much better version of the same song in the Jools Holland studio a few months ago; it was a real racket then, this was a bit pedestrian.
And then there was Blur, who, so we are told, were out of tune, out of time, under-rehearsed, shambolic, shabby, even ‘a disgrace’. I thought they were bloody brilliant. Maybe it was just the relief of seeing a band that sounded like a proper live band, flaws and all. I’m not a massive Blur fan by any means, and yes, the sound was pretty bad, but when Graham Coxon did his fuzzy, choppy guitar thing, and his weedy little “Oh my baby” bit on ‘Tender’ I almost wanted to cry, because in Brits land guitars aren’t meant to be distorted, and singers are meant to be able to sing. And dance down the runway, not be all hunched up over a mike stand or, like Damon Albarn, leaping around like an un-choreographed lunatic, getting all tangled up in his leads.
Have people become so accustomed, so attuned to perfection now, that anything else seems bad? Like listening to music on vinyl with hisses and scratches? Or a magazine picture that isn’t airbrushed or photoshopped to utter blandness?
The stage that night - lit and ready to roll
It's true isn't it - however you view Blur's performances, whether you are an old fan disappointed at their performance, or whether you are sentimentally ecstatic at Blur's return, or you were screaming form the joy of seeing them back on stage since the 1995 Blur Brits takeover episode. What Mccarthy wrote about is in some ways true.
Blur has always been like that - a great stage presence and an amazing live show. Just watch some old footage and you will marvel at their raw energy and passion. Even from the Seymour days, where Blur performed a recently surfaced song "Superman" - you can see Damon bopping and jumping around just like he did at the Brits 2012.
Damon Albarn looking melancholic (or exhausted from jumping around)
Damon Albarn, in a radio show afterwards, said something about the audience of the awards that night. The audience just weren't that into the songs (although we swore many were dancing below the stage!). Generally, there was a very mixed review of the show - some good, some bad, some terrible.
Live shows are about excitement, unpredictability, energy, passion and being able to deliver an entertaining show. Blur were never the band to produce elaborate sets, or have 100 back up singers strutting around scantily clad. Nor do they don up in Lady Gaga-esque costumes or pretend to be glittery and ditzy.
Graham Coxon, guitarist of Blur, had something to say about it when he posted a comment online. He said "it was the brits...since when do we have to be slick and boring...i remember the brits 17 years ago, it was mayhem...rock n roll pandemoonium...fun...fuck em."
Click to enlarge Graham's post and read his opinion on this Brits bash
We are not denying that music changes- of course, anything evolves and new trends emerge. Nor are we saying everyone must love Blur's performance that night - everyone is entitled to their own opinion. But Blur is amongst the good old fashioned quintessential British bands - that is if you call the 90s old. They won the award that night, and are headlining the Olympics closing concert. A huge honour, and few bands get this opportunity.
The exciting news in NME was about Blur's Olympic headliner
When will London host another Olympics again ? Even if they do, it may not be in Blur's time.
Britain has chosen it's musical representatives - Blur, because they embody what British music has been about in the 90s and even early 2000s. This once-in-a-lifetime opportunity is a greatest achievement in itself - why should we continue to bash Blur about it ?
The band in 2009 where they first got together again after a hiatus
Perhaps people who decide so easily to compare a band like Blur- who won the top award of the night with their long-term achievements- to drunkards on stage, should think about not putting their opinion out there so strongly for the sake of the world’s eyeballs .
If you want note-perfect songs, go and listen to their albums.
Written by BlurBalls, 24/2/2012 - after a touching 2 hour Blur BBC6 radio show.
Blur are going to headline several NEW concerts this year, as a prelude to their big Olympics gig 2012. The first gig announced via their newly launched, brand-new, black, white and suave band website (www.blur.co.uk) is the Way Out Festival 2012 in Gothenburg, Sweden on August 9th 2012.
They are also playing in Denmark 2012, Smuckfest in Skanderborg (http://smukfest.dk/).
They are then following on with Hyde Park, London Olympics 2012 Closing Ceremony gig, with The Specials and New Order also playing on August 12th 2012.
Blur made a triumphant return in the Brit Awards 2012 (albeit a little clash with singer Adele!) performing the longest record set (11 minutes plus a bit more) and made their names forever imprinted on British music's memories, joining in the likes of The Kinks, David Bowie and more. Check out some pictures of the set below:
The Live at the Brits EP only had 3 songs - Girls and Boys, Song 2 and Parklife, but with a little bit of mixing, it sounds much better!
And listen to Damon's touching speech, against the wonderful backdrop of their hit single "Parklife". Many fans and even Alex James (bassist) himself said that this may be Blur's "last bow" on stage, so Damon truly does deserve time to get to thank everyone who has helped shaped this influential British band.
For those who want to buy tickets to see Blur live at the Olympics closing ceremony 2012, here are some crucial details and links to get your tickets:
12 August, 5.30pm-midnight Tickets £55+booking fee on sale to BT customers 9am, Wednesday 22 February (SOLD OUT) or on general sale 9am Friday 24 February(HERE)
Stay tuned to BlurBalls for more Blur concert gigs - we are expecting many intimate warm-up gigs around Britain or even outside as Blur inevitably will practice for their big Olympics event, representing UK music !
Meanwhile, read all about Blur beyond the Brits at The Quietus, the article is a must-read for all Blur fans out there who enjoy their non-single hits, rarities and b-sides.
Read all about Blur kicking Adele OUT of the Brits HERE,
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