Graham Coxon’s Latest Project, The WAEVE: Pushing Boundaries and Embracing Parenthood

For Graham Coxon, founding member and iconic guitarist of Blur, musical exploration has always been part of the journey. But his latest project, The WAEVE – a collaboration with singer-songwriter and his new wife Rose Elinor Dougall – offers fans a deeper look into his creative evolution. Their new album, City Lights, serves as a raw, reflective record born out of the transformative (and sleepless) days of early parenthood, channeling a mix of vulnerability and grit that reveals a whole new side of Coxon.

After the release of The WAEVE’s self-titled debut in 2023, City Lights builds on the unique chemistry between Coxon and Dougall, blending indie rock with touches of jazz and post-punk to create a sound that is both familiar and refreshingly new. While Blur fans may recognize Coxon’s signature guitar style, The WAEVE’s music is distinct, weaving in lush saxophone lines, atmospheric synths, and Dougall’s hauntingly beautiful vocals. Together, Coxon and Dougall have crafted an album that feels both cinematic and intimate – the perfect soundtrack for late nights and introspective moments.

Reflecting on the inspiration behind City Lights, Coxon has spoken openly about how early parenthood has shaped the project. “There’s a kind of surrealism that comes with the lack of sleep, a strange clarity too,” he shared with NME recently. “It’s been a time of change for both of us, and the music has kind of emerged from that space – raw and genuine.” 

For Coxon, known for his introspective solo work and the occasional melancholy within Blur’s music, City Lights is a deeply personal and collaborative project, allowing him to push boundaries while staying grounded in life’s real, sometimes messy, moments.

Working with Dougall, former vocalist of The Pipettes and a talented artist in her own right, has also allowed Coxon to explore new creative territory. Dougall’s voice and lyrical presence bring a unique warmth and depth to The WAEVE’s sound, giving Coxon a fresh perspective in his songwriting. Together, they form a partnership that’s both dynamic and balanced, with Dougall’s emotive delivery perfectly complementing Coxon’s intricate instrumentals.

Released to critical acclaim, City Lights has already captured the attention of fans and critics alike, showcasing a more experimental side of Coxon while remaining accessible. Tracks like “Over and Over” and “Dawn Break” delve into themes of love, loss, and renewal, with melodies that linger long after the first listen. It’s a far cry from the Britpop anthems that defined Blur’s early days, but it’s exactly where Coxon wants to be.

As Blur prepares to hit the stage again for upcoming reunion shows, Coxon’s work with The WAEVE feels like a testament to his relentless pursuit of musical growth. “Blur will always be a part of me, but The WAEVE lets me express myself differently,” he said in an interview. For fans of both Blur and Coxon’s solo work, The WAEVE’s City Lights is a captivating exploration of artistry, transformation, and the strange beauty of change.

In City Lights, Coxon has once again proven his ability to evolve while remaining true to himself, this time with Dougall by his side. For those ready to follow him into this next chapter, The WAEVE offers a soundtrack as unexpected and layered as the journey itself.

City Lights - Tracks

1. "City Lights" – 4:20
2. "You Saw" – 5:24
3. "Moth to the Flame" – 4:43
4. "I Belong To..." – 4:23
5. "Simple Days" – 4:09
6. "Broken Boys" – 3:12
7. "Song for Eliza May" – 5:37
8. "Druantia" – 7:44
9. "Girl of the Endless Night" – 4:55
10. "Sunrise" – 6:50