"Last night was a great performance, loved Bugman, Caramel, Puritan, No distance, Popscene. There were indeed some idiots in the mosh bit, during Bugman I just waded in all guns blazing to prove a point I guess. There was a really irritating large woman who tried to put we finger in my mouth at one stage when I was trying to get some air in my lungs - she also flailed her arms a lot, creating a large zone around her. Did anyone else see her? I thought the interaction between the band was very warm and they made several mistakes but had a laugh with it. Amazing to see Damon look younger and younger as the set went on. Too loud at the end though. My ears are screaming!"
Some mistakes were also made by the band. The same forumer and fan said:
"Someone messed up the intro to London loves so they all stopped and there was minute of trying to work out what went wrong. Damon got some words wrong in for tomorrow, he nearly came in too early on one song, can't remember which one, may have been Popscene - someone help me out? There were some nervous glances across the stage from Alex and graham, seemed like Alex was looking to Graham for some cues for stopping songs. Damon kept playing piano through one of the stops on intermission - it was shambolic but really good. Graham was obviously in pain with his bad finger at times, but seemed to enjoy some of the crowd reaction. There was one great moment when the crowd started chanting his name after beetlebum and he looked quite chuffed."
An unexpected but awesome 'London Loves' and a superb 'Tracy Jacks' are followed by an insane 'Jubilee' that elevates me to bounce my way to the front in sheer excitement. 'Beetlebum' is both deliciously dark and beautifully uplifting, 'Out Of Time' benefits greatly from Graham's presense and the delightful 'Young And Lovely' sounds like it could have been a long lost cut from Bowie's 'Hunky Dory', also proving that the band have some truly wonderful B sides in their cannon. 'Trimm Trabb' sounds astonishing, especially when Graham's guitar explodes with devasting power towards the end, while another '13' highlight 'Caramel' seems even more achingly stunning than ever. 'Sunday Sunday''s ideal snapshot of British life plays home to a brilliantly frenzied middle section, and it's hard to imagine anyone here without a smile on their faces during a joyous 'Country House' and a terrifically energetic 'Parklife'.
The sounds emerging from Graham's guitar are nothing short of incredible, ripping into 'Bugman' with mind blowing power. At one point during 'The Puritan' his instrument sounds like an old engine revving up, before the band launch into a berserk 'Popscene'. 'Advert' is delivered with blistering force, and the whole place erupts for an amazing 'Song 2'. This madness then makes way for the wonderfully delicate 'No Distance Left To Run', a much needed moment for the crowd to catch their breath, before 'Tender' arrives and affirms itself as a most glorious anthem. Damon dedicates 'This Is A Low' to Plymouth and other seaside towns like it, and the band disappear for a while.
Their re-emergence is greeted by massive cheers, and they conjure up a brilliant rendition of 'Sing', the only track from debut album 'Leisure' given an airing tonight. 'Under The Westway' already sounds like an all-time classic, and is played with perfectly splendid grace before they tear into a mental version of 'Intermission'. After a gorgeous 'End Of A Century', a joyous 'For Tomorrow' sees many hands in the air, inspiring a mass singalong just before 'The Universal' provides an absolutely dazzling climax, bringing tears of joy to my eyes and making for a perfect ending to an unforgettable night.
Two more days till Hyde Park !
Order the new Blur vinyl HERE
August 2012 Maida Vale gig full coverage HERE
Damon Albarn says it's the End of Blur! Read HERE
Margate Gig (2012) review and pictures HERE
Check out Blur's rumoured new album HERE.
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