Damon Albarn's Congo collaboration album "DRC Music" has been premiered on Soundcloud a few days ago. 5 tracks has been made available on the online streaming website, and you can head over there to listen below.
The album from this is called 'Kinshasa One Two' and it will be released digitally by Warp Records on 3rd October 2011 with a CD/vinyl release to follow on 7th November 2011, to benefit Oxfam.
"Hallo" (feat. Tout Puissant Mukalo and Nelly Liyemge)
"K-Town" (feat. N'Gotshima and Bebson)
"African Space Anthem (A.S.A)" (feat. Ewing Sima of Tout Puissant Mukalo)
"Love" (feat. Love)
"Lingala" (feat. Bokatola System and Evala Litongo)
"Lourds" (feat. Yende Bongongo of Okwess International)
"Respect of the Rules" (feat. Loi X Liberal)
"We Come From the Forest" (feat. Bokatola System)
"Customs" (feat. Bokatola System)
"Virginia" (feat. Magakala Virginia Yollande and Yowa Hollande)
"Ah Congo" (feat. Jupiter Bokondji and Bokatola System)
"Three Piece Sweet part 1&2" (feat. Bebson)
"If You Wish to Stay Awake" (feat. Washiba) "Departure" (feat. Bokatola System)
You can hear Damon Albarn sings in the track "Hallo". Apart from that, the tracks sound a lot like Gorillaz's ipad album "The Fall" and parts of Damon's unpolished demos from not only the Blur era, but also from Monkey Journey to the West. Seems like he reused parts of old demos and incorporated some more exotic instruments to compile this interesting piece!
Listen to some of the tracks HERE
September 4, 2011
Albarn's 'DRC Music' tracklist revealed
August 29, 2011
Damon Albarn to make first solo album for 2012
Damon's going to make a solo album! Exciting news everyone!
Now the Blur and Gorillaz man has pledged to follow fellow Britpop hero Noel Gallagher and spend most of next year recording an album of his own.
But Damon has three albums to get out first.
One is a project by Africa Express – a collective of Western and African musicians – recorded in the Congo.
Another is a collaboration with Flea from Red Hot Chili Peppers and drumming legend Tony Allen.
The third is a recording of his Elizabethan opera.
After that he'll get to work on his first solo disc so it's ready for release some time in 2012.
A source said: "Damon's finally ready to make a solo album after years of hiding behind cartoon band Gorillaz and working with collectives of musicians.
"He's looking forward to it and his label bosses at EMI are pleased as it's sure to sell by the bucketload."
Although it's bad news for fans holding out on a full Blur reunion – a Damon solo disc is still an exciting prospect.
August 12, 2011
What's up with Alex James after Blur ? Interview August 2011
Alex James
The musician and cheese maker talks about his family
My uncle was a jazz pianist and my granny's sisters were on the stage. My grandma was part of a glamorous dance troupe called the Dolly Sisters, so music was in my blood. My dad taught me how to play the piano, but that was the only musical training I had. Mum and dad would have much rather I'd been an accountant – until Blur started getting written about, by which point they were very pleased to tell all their friends.
My family dealt with me becoming a public figure remarkably well. I think they all liked it. My mum got doorstepped a bit by journalists when I first got famous but everyone has just enjoyed the benefits and didn't make a fuss about the negatives. My mum and dad came on tour with Blur at the height of Britpop and loved it.
My grandfather was a chef and because of that my dad never cooked a blooming thing. It can go two ways when your dad's a chef; you're, like, "What's going on here, how do I do that?" but my dad was, like, "Ooh, thefood here is really good", so he never cooked anything in his life. But he had a very developed palate so we discovered food together and food is absolutely the focus of family life for me.
I'm protective of my sister, Deborah. She's two years younger and we've always been close but are very different. She's really good at painting and drawing; she's got visual acuity. She's a glass artist and has made a few pieces for Damien Hirst.
Meeting my wife Claire happened at the same time that Blur sort of stopped, so it felt like a new part of my life was starting. I think when you get married that it's the end of rock'n'roll. When you start having kids something does change. It's been amazing, though. When I was 18 I thought I was going to have to kill myself when I hit 40. I thought it would be all over, but it keeps getting better and better as you evolve. What you want out of life changes, and my idea of heaven now is good food with my family. It's pretty simple but it's about as good as it gets.
I've got five children and people say, "are you busy?" and it's like, before I even go to work, I'm busy. I've got five kids. I need a spreadsheet to keep track of them. No one ever regrets having children. To be honest, I don't know how people do it with less than five.
I thought I was getting the hang of parenting and then our first girl came along. She is two now and she amazes me: "What? You'll just sit there colouring and you're happy to do that? Really?" The boys need constant attention – they want you to fight, play football or make Lego with them. It's all about doing things.
I live on a farm now, which is a natural environment for an ageing rock gentleman. There's a reason I wanted to put down some roots after all those years living out of suitcases. You can't be more grounded than on a farm. so I've built my life around my family. They're my main source of pleasure, and of pain too, but it's worth fighting for. It takes absolutely every ounce of your strength to keep the ship sailing straight, but fucking hell, it's worth it.
Alex James is an ambassador for MasterCard's Big Lunch campaign, which encourages people to embrace community spirit. For more details visit www.thebiglunch.com
August 10, 2011
Damon Albarn to perform in Guinness Cork Jazz Festival 2011
Back in 2008 we were first presented the first-ever Honest Jon’s Chop Up!, a gathering of music from global artists who all had recorded for the influential West London label Honest Jon’s, which specializes from postwar black music in Britain to African highlife, from 70s English folk to modern Southern Soul.
And now it’s back! With another helping of extraordinary artists including a new project featuring Damon Albarn, Afrobeat legend Tony Allen and bassist Flea. Plus Malian singer Fatoumata Diawara, Chicago brass sensation Hypnotic Brass and Detroit techno/house alchemist Theo Parrish.
Damon Albarn will be one of the headline acts set to perform at this year's Guinness Cork Jazz Festival on October 21st 2011.
Albarn will lead a collaborative show with 25 other artists under the collective name of 'An Honest Jon's Chop Up' – named after the Britpop icon's music label.
Albarn will lead a collaborative show with 25 other artists under the collective name of 'An Honest Jon's Chop Up' – named after the Britpop icon's music label.
Red Hot Chili Peppers' Flea, and afro beat drummer Tony Allen will also play as part of the group, in what will be the third such performance of the collective. The show will kick off the Jazz weekend, which takes place over the October Bank Holiday Weekend.
To book your ticket now, click HERE.
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If you missed old news, visit the NEWS ARCHIVE to read about past news!
If you missed old news, visit the NEWS ARCHIVE to read about past news!
August 1, 2011
Damon Albarn's new album - DRC Music - Aug 2011
A collective of producers lead by Damon Albarn will visit the Democratic Republic of Congo (DRC) to produce a new album for Oxfam.
Travelling with Damon to Congo are T-E-E-D (Totally Enormous Extinct Dinosaurs), Dan The Automator, Jneiro Jarel, Richard Russell, Actress, Marc Antoine, Jo Gunton and Kwes. They hope to make an album in 7 days.
Albarn previously visited Mali with Oxfam in 2001 which produced the album Mali Music. He has since recorded in Nigeria with Tony Allen and has visited Congo, Mali and Nigeria with Africa Exprez.
Listen to a section of a new track HERE
Visit their website here
July 20, 2011
Harry Potter meets Damon Albarn !
I watched the last Harry Potter movie a few days ago, and walking out of the theatre, I can't help feeling a little melancholy about the "end" of an era. An era of Harry Potter fandom and kids growing up along the world of wizards, Hogwarts and the actors that play these wonderful characters.
Surprisingly, I was reminded by TracyJackAlbarn, a fellow Blur fan, that Damon Albarn actually met Harry Potter - or lets call him Daniel Radcliffe, during an interview in the Jonathan Ross Show on March 2007.
Quoted from the 2007 Friday Night with Jonathan Ross episode summary found here: Daniel Radcliffe, who has gone from boy wizard to horse fondler, returns to the show as does Damon Albarn with yet another new band, The Good, The Bad & The Queen. Has he finally formed a good one?
There's a footage, just a snippet of them on the show together, chatting together, I am not sure whether it was backstage on the show or on the actual Harry Potter set, which appeared in another video interviewing Daniel Radcliffe about the movie.
Apparently, Daniel views Damon Albarn as one of his mentors and person he looks up to!
Watch below, Damon's part is at 0:48:
Anyone offer an opinion on where Damon and Daniel met in the video ? Is it on the Jonathan Ross show in March 2007, or was it on the Harry Potter movie set ?
And why is Daniel Radcliffe dressed up ? Did Damon actually go visit him on set ?
Do let us know on our FACEBOOK page (Click here!) Long live Potter!
July 16, 2011
Damon Albarn making new album for Warp - July 2011
Damon Albarn's opera Doctor Dee has now reached the end of its run as part of the Manchester International Festival and has received almost universal acclaim and positive reviews.
"I'm making an album for Warp," Damon reveals in The Guardian's latest article on Doctor Dee, his new opera . This is the only new thing that the article reveals, oh, and that Damon stumbled quite a lot around the stage during his opera....
Warp is a Sheffield-based record label usually renowned for techno.
"I'm taking six young English producers with me and we'll make it in a week. Then I'm going on a six-
week holiday to dispel rumours I'm a workaholic." said Damon.
And my thoughts on this is exactly northernmonkey's, which goes like this:
A six weeks holiday should recharge the creative juices for getting started on a new Blur album!!!
Lastly, watch the recent short interview Damon Albarn did for BBC Two Culture Show on July 12th 2011 about his opera. Quite interesting.
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July 6, 2011
Doctor Dee - Manchester International Festival 2011 - Review
It's time for a review! Since I have no chance of seeing Doctor Dee live, I will present to you the first proper review, by The Guardian, on Doctor Dee - Damon Albarn's opera, which premiered last Friday night at the Manchester International Festival 2011.
4/5 starsIt is perhaps as much a disservice to call the 16th century alchemist and astrologer John Dee a Renaissance man as it is to refer to Damon Albarn as the former frontman of Blur. Neither scratches the surface of their achievements.
Dee was an occultist, hermetic and spiritual advisor to Elizabeth I who appointed the Queen's coronation day through the alignment of the planets.
A world famous scholar who dabbled in the undefined area between science and sorcery, he was reputed to be the model for Marlowe's Dr Faustus and Shakespeare's Prospero. And by applying Euclidean principles to navigation, he laid the visionary blueprint for the British empire.
Now latter-day polymath Albarn has created an opera based on the life of this mysterious philosopher. The pairing seems irresistible: an inscrutable but undeniably beautiful meditation on Englishness inspired by the man who coined the term "Britannia" and written by a musician who made it cool.
Dr Dee is an erudite affair, inspired by the philosopher's exile to Manchester in the 1580s, where he founded the English speaking world's first public library. It's extraordinary to think that whereas Albarn has been bringing himself up to speed with concepts of hermeticism, Euclidian geometry and Rosicrucianism, his erstwhile Britpop rival Liam Gallagher has formed Beady Eye.
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| Damon Albarn performs on the preview night of the opera 'Dr Dee' at Manchester Palace Theatre. Photograph: Shirlaine Forrest/WireImage |
Even so, Dr Dee is by no means an opera in the conventional sense. Instead director Rufus Norris lays on a sumptuous array of scenes and tableaux that draw upon the lavish stage mechanics of an Elizabethan masque. If there's a parallel to be drawn it might be with Berlioz's similarly grandiose "dramatic legend" the Damnation of Faust.
You suspect that the main reason Albarn creates a sound-world combining kora, theorbo, and Afrobeat drummer Tony Allen is because he can. More contentious is his decision to cast himself as a kind of troubadour-narrator, as it slightly negates the dramatic function of Bertie Carvel's Dr Dee, whose role becomes largely mute.
Yet there is genuine dramatic frisson delivered by the ice-cold counter-tenor of Christopher Robson as Edward Kelley, the psychic or "scryer" who became Dee's ultimate undoing.
Dee commissioned Kelley to commune with the angels; the angels apparently suggested that Kelley be allowed to sleep with the Doctor's wife.
Albarn's opera can seem obscure and sometimes wilfully perverse. But it reaches to the heart of the tragedy of an overreaching intellect destroyed by a deal with a second-rate Mephistopheles. Dee was haunted by his shortcomings: "You know I cannot see, nor scry" he lamented.
Yet for Albarn, who ends the evening triumphantly aloft against a panorama of the cosmos, the scry's the limit.
Pretty good review, in fact it's EXCELLENT. Damon's reached a whole new level with his opera performing, and I can't wait for footage of it to surface, or perhaps there'll be a soundtrack album like Monkey Journey to the West.
You must watch Damon Albarn talk about Doctor Dee in the video below. He discusses his opera (mistakenly named "Dr. John Dee" in The Guardian's website ! ) ahead of it's premier on Friday Night in Machester International Festival.
Enjoy! And I would like to announce BlurBalls reached a GOOGLE PAGERANK of 3/10. What an achievement! I'm chuffed! All thanks to you guys who link back, tweet and support.
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July 2, 2011
Dave Rowntree - "There are always plans for Blur" - July 2011
Beyond Britpop: Whatever happened to the class of '95?
Pulp are just the latest Britpop band to re-form. What happened to the other musicians who defined the Nineties? Alice Jones from The Independent meets the retired rock stars
DAVE ROWNTREE
Then: Drummer, Blur. Blur have released seven studio albums, including the Britpop-defining No 1 albums Parklife and The Great Escape which sold 2.15 million copies worldwide. Having effectively split up in 2003, they reunited in 2009 for a run of successful gigs, headlining Glastonbury and playing to 100,000 emotional fans over two nights in Hyde Park.
Defining Britpop Moment: Winning the 'Battle of Britpop', beating Oasis to No 1 in August 1995 with "Country House".
Now: Trainee Solicitor. Having worked as an animator for several years, setting up his own company, Nanomation, and producing two series of Empire Square, Rowntree enrolled at law school and is halfway through his training contract at Kingsley Napley, a London firm.
Lives: East London with his girlfriend, a music publisher. He is 47 years old.
'Around five years ago, I was having a mid-life crisis. I lay awake at night thinking, 'Haven't I wasted my life? Hasn't it all been rather trivial? Hitting things for a living, isn't that rather stupid?'.
Then I talked to a friend who was a lawyer. He said his grandfather had sent him to the Old Bailey, saying 'Go and sit there for two weeks and, at the end of it, you'll know if you like law or not'. So I did that and it was brilliant. Everything that my mid-life crisis was telling me I needed, I found in that courtroom.
The space between things with Blur was growing quite wide so I went to one of the leading legal aid criminal firms in east London and did a bit of work experience. I fell in love with it. It was everything I was looking for – genuine hands-on helping of people with serious crises. I went to law school, passed all my exams and in a year I'll be a qualified solicitor. Now I work five days a week. Crime is what I love but I'm unusual in that I quite like tax law, too.
Around the same time I started to get more involved in the Labour party. I'm a local activist and helped David Miliband on his leadership campaign, which was very exciting. I also stood for parliament in Westminster at the last election, though I had no hope at all of winning. It's all part of trying to bring some kind of meaning to my life, arranging it so I'm a giver rather than a taker. What stuck in my craw was the feeling that my life was selfish. I was turning into somebody that I despised.
At the time, it was very hard to gauge the scale of what was going on. First we were a tiny indie band and suddenly we were the mainstream, at number one. We became pop stars which wasn't in the plan. Some of us accommodated that better than others. At the height of our success, I used to fly the band around on tour in my plane. It was brilliant – proper rock-star behaviour. These days I share a plane with a few friends. It's an incredible luxury, really, my one nod to stardom.
Otherwise, I felt about a mile from being involved in any kind of movement, even Britpop. The idea that we were involved in a movement, especially one with such a terrible name, definitely wouldn't have appealed to us.
The Hyde Park reunion [in 2009] could have been a disaster. When Graham and Damon put their differences to one side we decided to go into the rehearsal studio and see if the old magic was there. It was clear immediately that it was. But we all had misgivings. I was very surprised at how quickly the first show sold out. It was really nice that people still felt that way about us.
We keep in touch with each other and there are always plans for Blur. But it's quite fragile. We're grown men now and we don't want to ruin anything. If we do anything else, it's got to be interesting. There has to be a good reason."
******
Interesting read, and in particular the part that caught my attention was the bolded red paragraph. At least that's nice to hear, good news for us fans! But we still don't know anything about their plans.
Here's Justine Frischmann's part in the article. For those who don't know, Justine was the ex-girlfriend of Damon Albarn and frontwoman of Britpop band Elastica. Read below to know what's going on with her.
******
JUSTINE FRISCHMANN
Then: Lead singer and guitarist, Elastica. Britpop's cool head girl who dated Brett Anderson and Damon Albarn. Elastica's eponymous first album entered the charts at No 1 in 1995, then the fastest-selling British debut in history. They split up in 2001.
Defining Britpop moment: Starring on an NME cover alongside Thom Yorke and Brett Anderson in 1994, before Elastica had released an album.
Now: Artist. A graduate of the Bartlett School of Architecture, Frischmann co-presented a BBC series called Dreamspaces. She also collaborated with her old flatmate MIA, co-writing songs on her first album Arular. Last year, Frischmann had her first solo exhibition at the Michelle O'Connor Gallery in San Francisco and this year showed her work at New York's Sloan Fine Art.
Lives: North Bay, San Francisco with her husband, a climate scientist and professor at the University of California-Davis. She is 41 years old.
'Music never felt like a sustainable career to me in the emotional and physical sense. I was never that comfortable in the spotlight. I'm actually a pretty quiet kind of person who needs a lot of peace, calm and stability around me.
When I think of Britpop, I remember how exciting it was to see friends breaking through in such a short time. At first the media's attempts to pigeonhole us all together seemed forced. But the concept of 'Britpop' soon gained momentum and it became clear that it had become an entity in its own right. That redefinition of English music and identity felt important at a time when so much of the popular culture seemed to be coming from America. There was a desire to make work that celebrated where we were living, using our own imagery, vernacular and humour. There was also a softening of boundaries during that era – in a way, Damon working with Phil Daniels had some parallels with Tony Blair representing the Labour party... a reappropriation of traditionally working-class iconography by middle-class intelligentsia.
I have a parent who is a Holocaust survivor and the Holocaust is something that, I think, has driven me all of my life. My love of Modern design and aesthetics also comes from my parents, who were influenced by the Modern movement, partly, I believe, because we had lost our family history on both sides.
The only Elastica member with whom I'm in touch is Donna. Last time we spoke she was working as a music therapist. Brett [Anderson] is still a good friend. In terms of the music scene today, I still think that Maya's work [MIA] is interesting. But I'm the wrong person to ask. I live in rural northern California where there are coyotes wandering in the streets. And I don't own a TV."